It includes monographs and targeted edited collections that provide new insights into visual culture and art practice, theory, and research. Routledge Advances in Art and Visual Studies This series is our home for innovative research in the fields of art and visual studies. Sean Lowry is Head of Critical and Theoretical Studies and Associate Director (Research) at Victorian College of the Arts, University of Melbourne. Adam Geczy teaches at Sydney College of the Arts, University of Sydney.

Simone Douglas is a Professor in the School of Art, Media, and Technology, Parsons School of Design, The New School, NY, NY where she directed the MFA Fine Arts program from 2009 to 2019. The book will be of interest to scholars working in art history, contemporary art, art criticism, and philosophy of art. In doing so, they also seek to find appropriate language and criteria for evaluating forms of art that often straddle other realms of knowledge and activity.

While much advanced artistic speculation of the twentieth-century was aligned with the question “what is art?,” a key question for many artists and thinkers in the twenty-first-century has become “where is art?” Contributors explore the challenge of meaningfully identifying and evaluating works located across multiple versions and locations in space and time. Where is Art? Featuring chapters by a diverse range of leading international artists and theorists, this book suggests that contemporary art is increasingly characterized by the problem of where and when it is situated. Table of contents : Cover Half Title Series Page Title Page Copyright Page Table of Contents List of Figures List of Contributors Acknowledgments 1 Introduction 2 Where Is Art? 3 Performance, Art, and the Relational Self 4 Chronotopographical Nodes and Moments of Encounter 5 Evidence 6 Ice Boat: Field Notes (in Advance of a Melt) 7 Bland Matter: New Materialism, and Barking Up the Wrong Tree 8 Bandness 9 Glittereiki 10 Beirut Lab: 1975 (2020): Or: again, rubbed smooth, a moment in time_caesura 11 IDENTITY radical 12 Would the Real Tusk Please Stand Up? 13 Handiwork of Migrancy, Restitutions in the Contemporary 14 Erasure or Erased: An Artworld (AND WORLD) Adrift 15 All the World’s Futures 16 Appendix: Project Anywhere Index Citation preview

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